Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

15 October 2014

Aloha

I'm moving to new digs:
http://markcoconnor.com/
I've been here at Ten Pound Press since March of 2007. Seems it's time for a change!

I know I've had a few readers and followers over the years and I am grateful to all of you. Writing is lonely--you've made it easier. I hope you'll still come along for the ride!

--Mark

29 July 2013

In the Gutter

When I stepped out of the Powell Street BART station in the early evening this past Saturday, I was greeted by a panhandler asking me for a dollar. There were at least two dozen people standing at the crosswalk on Market, but he singled me out. I've grown accustomed to this--for some reason, the street people see me as an easy mark. I've been in groups, both large and small, many times in many cities, and I'm invariably approached while the others are ignored. I don't usually give in, and didn't this time, but on occasion, if the fellow is funny or creative in his asking, I will hand over some coins. My dad had a soft spot for the underclass, and often chatted them up, and his recognition of their humanity was one of his best qualities. On the other side of Hallidie Plaza, I turned west on Eddy Street and reveled in the fresh ocean breeze that whipped my face and jacket. It had been hot and stuffy in the transbay tube and underground stations. I was mere steps from two fellows being cuffed by four of San Francisco's finest. They looked like high school kids. I suspect they were nicking the tourists, whose free-flowing dollars the City by the Bay lives on. The next block was Mason, and I turned left again after crossing, and noticed that my destination was on the other side. As I went back down toward the corner at Turk to cross, a terrifyingly skinny and hard-bitten women hit me up like we were old friends, happy to see me and ready for a good time. I suppose, in my neat jeans, brown walkers, dress shirt, and tweed sport coat, I looked like a real rube, and she saw opportunity knocking. My refusal was curt, and she chided me for my lack of good humor, but turned away and continued on with her ancient profession. Finally, I found my spot on the east side of the street, right at the foot of Mason. It was six o'clock, and they were just opening the doors of the 50 Mason Social House. I was the first person at the bar so I picked out the best seat and ordered a Trumer Pils and waited for the show to begin.

The event was a book release and signing party. The star was local author and minor celebrity Will Viharo, whose Love Stories Are Too Violent For Me was just re-issued by Gutter Books. He was joined by Philadelphia-based author T. Fox Dunham, whose debut novel The Street Martyr was also hot off Gutter's presses. Entertainment was provided by San Francisco's own Aqua Velvets, surf band extraordinaire. Apparently Mr. Viharo wrote much of Love Stories with the band in the background, and they get a mention in the book as well. I got the chance to talk to guitarist and songwriter Miles Corbin and his musical partner and the band's bassist Michael Linder, telling them how much I loved their music, particularly the 1997 album Guitar Noir. Both were gracious and friendly. I bought two CDs from Miles and Michael gave me one of his own, a collection of bands he produces. If the Tenderloin was the perfect neighborhood for a noir fiction event, the Velvets were the perfect soundtrack.

Things got underway about seven. Matthew Louis, head honcho at Gutter Books, arrived and I helped him set up the table. I met both authors and two other crime writers (and Gutter editors) Joe Clifford and Tom Pitts. Everyone was in a jolly mood and the party went swimmingly. I'd met Matt Louis once before, only because he's from Medford, Oregon (an hour north of here), and I worked with him briefly a few years back because he published two stories of mine in his pulp 'zine Out of the Gutter. Those remain my only published pieces. I hope to rectify that in the near future. Matt is slight of build and his boyish good looks belie his incipient middle age, but the man's sinews are pure tungsten steel. He built his small press, independent publishing venture with sweat, determination, and a single-minded focus to do things his way. He has an eye for talent and a real ear for the kind of fiction he wants to produce. Take a look at Mr. Dunham's blog and his description of Matt's editorial intensity. In a world where the big publishing houses are increasingly swallowing each other up, and the same authors are endlessly hyped ad nauseum, readers like me are starved for new voices. The small presses are like microbreweries--most have no chance to compete with the majors. But some, through hard work and a devotion to quality and uniqueness, survive, and even thrive. I think, and I hope, that Gutter Books is one of the latter.

After the readings, book signings, and musical interludes, the party ended. I was fortunate to spend some time with Fox Dunham, who is a fascinating man. Originally from Scotland, he trained in the ancient bardic traditions with his grandfather, learning not only Scots Gaelic, but about the awen, the source of poetic inspiration. A cancer survivor and denizen of the mean streets, Fox has a palpable empathy for the dispossessed and disenfranchised. His reading from The Street Martyr had the crowd mesmerized. He inscribed my copy of his book "Speak for those with their mouths torn out." What a powerful sentiment!

Later, around ten o'clock, a small group went up the street a half block for a couple more pints. I was able to visit longer with Matt and his lovely and charming bride, and schmooze with the featured authors and the rest of the Gutter crowd, most of whom had brought their significant others. Alas, my darling stayed home this weekend, and I had to be on my own, but I had a grand and inspiring adventure nonetheless. I discovered that writers, editors, and publishers are real people, and that noir-types are regular Joes (and Janes). I had to dash off a little after 11:30 and catch the midnight train back across the Bay. My head didn't hit the pillow (I stayed at my Mom's in Benicia) until after one a.m. I was tired on the long, hot drive home on Sunday, but surprisingly fulfilled. Even the Giants getting swept at home by the Cubs could not dampen my mood. I plan to retire from my current profession--public high school teacher--in June of 2014, and pursue writing full-time. Whether it brings me success or not, I've come to realize, is not as important as the chance to discover things about myself. And if it brings me into more contact with the kinds of folks I spent Saturday night with, so much the better. Next up: NoirCon 2014 in Philadelphia!


28 January 2012

Thirty-First Situation: conflict with a god

Georges Polti wrote a book not quite a hundred years ago called The Thirty-Six Dramatic Situations. When you consult this manual you are amazed and fascinated by the classification scheme. You probably have to have a touch of madness to be a taxonomist of any sort. Not that I don't appreciate such things. I suppose I'm more of a 'lumper' than a 'splitter,' but I love reading this bizarre little book. It is a lot of fun to play the game and think about all the various situations he describes. Stories are about love and death. Not much more than that. I could have said sex and violence, but it's the same thing. Squeezing thirty-six different plots out of those four fundamentals is an accomplishment. Nutty, but that's OK. The clincher for Polti, though, is the impossibly overwrought prose, leaden with allusions and drowning in names and references in foreign tongues. You can hardly get through three sentences without gagging or guffawing, which makes it brilliant. I picked up my copy for fifty cents or some pittance at a the local library book sale. I love discards. Where else can you find treasures like this? Here's part of the discussion of the Thirty-First Situation, or "conflict with a god":
This remarkable grouping has been in our day almost entirely ignored. Byronists as we still are, bon gré mal gré, we might yet dream of this superb onslaught on the heavens. But no! -- we treat even the evangelical subject of the Passion, while we pass by, this genuinely dramatic situation, and content ourselves with sanctimoniously intoning the idyllo-didactic phrases which preceded the sacred tragedy, -- itself left unseen.
I think they invented WTF as means of textual commentary far too late. Isn't that fabulous? It's the sort of writing, because of the fact that it is actually real and has been reprinted as recently as 1973, that makes me believe crazy stuff like what Dan Brown cooks up in his DaVinci Code books. Part of the problem is that that original work is in French, and this is a translation (by Lucille Ray). But only part. This Polti guy is a kook, but a well-read one, and it is hard not to enjoy his obvious sincerity. I've actually learned a bit about literature as well. He uses examples of his plot types or "Situations" that reference the famous Greeks like Euripides and Sophocles, which inspired me to get some books and read them both. Here's a few of the other Situations: Ninth, Daring Enterprise; Sixteenth, Madness; Twenty-Fifth, Adultery; Thirty-Sixth, Loss of Loved Ones. There are a lot of ways one could slice-and-dice the various forms into which most of our stories fall. It would be pointless, because you cannot classify the infinite. The human heart, head, and soul make a lethal combination. That trinity can generate quite a variety of mayhem, be it good mayhem or bad mayhem, and it all makes for good stories and plots. Whoops, I mean Situations.

10 May 2010

Back in the gutter again

At least I hope.

Matt Louis, publisher and editor of Out of the Gutter magazine, has a new venture called Gutter Books. Mr. Louis hopes to expand beyond his hardcore pulp journal into publishing books, particularly crime fiction. Sounds good to me. I've published two short stories--both in Out of the Gutter--so you can understand my fondness for all things gutter (scroll down to the bottom of the blog). Matt asked me if I would help out Gutter Books by contributing to the blog on the website, and doing stuff like advance reading and perhaps some editing. How could I say no? Not only that, he says he'd like me to turn one of my short stories into a novel and submit it for publication!

Ann Landers is reputed to have said "Opportunities are usually disguised as hard work, so most people don't recognize them."

I'll have to start working my ass off pretty soon.

23 January 2010

Out of the Gutter VI

Yes, there have been SIX issues of Out of the Gutter! The latest, Sexploitation, contains the usual degenerate fare. I particularly liked Chris Pimental's "The Vigg Train" and "Life Model" by Angela Caperton. What stood out in this edition was the non-fiction, especially the interview with porn writer C.M. Gordon (his shamus is called "Max Load") and the story of the early days of Hustler magazine ("Thinking Pink with Larry Flynt") by one-who-was-there Mike Sheeter. The disturbing "What I Learned in John School: a true story by an unnamed author" was more chilling than most of the collection. Clair Dickson chipped in another Bo Fexler tale--some day she'll have to anthologize them all. I remember thinking I ought to create a recurring character (thus Matt Cadd, Private Eye was born) when I first encountered Ms. Dickson's P.I.. If you are tired of the usual homogenized, corporate crap that passes for entertainment these days, try some independent, small-press, one-of-a-kind stuff like OUT OF THE GUTTER. Founder and publisher Matt Louis has been fighting the good fight and deserves your support. And I should mention that M.C. O'Connor has two stories published in OOTG--one in issue 2 and one in issue 4. So hit the website and support your local author!

19 November 2008

BBWAA-MVP

The Baseball Writers Association of America, henceforth known as BBWAA, votes an MVP award annually in each league. Now these fellows a) are writers and b) write about baseball. That's it. I'm a writer. I write about baseball. I'm not a pro. I have neither a journalist's education nor a journalist's professional experience. These BBWAA guys are pros. They make their living writing about baseball.

If you write crime fiction, does that make you a criminal? Better question: does that make you an expert on crime?

If you write vampire stories, are you an expert on vampires? How would anyone know?

My answer? Bollocks.

Here's John le Carré (one of the best) on fiction:

A good writer is an expert on nothing except himself. And on that subject, if he is wise, he holds his tongue. Some of you may wonder why I am reluctant to submit to interviews on television and radio and in the press. The answer is that nothing that I write is authentic. It is the stuff of dreams, not reality. Yet I am treated by the media as though I wrote espionage handbooks.

And to a point I am flattered that my fabulations are taken so seriously. Yet I also despise myself in the fake role of guru, since it bears no relation to who I am or what I do. Artists, in my experience, have very little centre. They fake. They are not the real thing. They are spies. I am no exception.


Bravo.

Which brings me back to the BBWAA and their MVP. This year, a young lad from one of the richest and most media-saturated markets and franchises--the Boston Red Sox--was awarded the MVP for the American League. Dustin Pedroia is a very fine ballplayer. Outstanding, in fact. But by any intelligent metric, he is nowhere near the "most valuable." He wasn't even the best player on his team, for example. (I think you have to give that to Kevin Youkilis.) Pedroia, like (NL-BBWAA-MVP-2007) Jimmy Rollins, is likeable and a crowd-pleaser. He does lots of things well, and exudes a bubbly high-school "grit-and-hustle" persona. This is all fine, of course, but has little to do with a cold, rational assessment of value by skilled observers. After all, BBWAA guys see more baseball than anyone who doesn't work for a team. They are supposed to be experts. Here's the problem--they're not. They're writers. They're as hopelessly biased as fans, and as hopelessly in love with their own prose as any amateur hack. So they vote an award that winds up saying more about who THEY are than who the "most valuable" player is.

And that's not how it is supposed to be.

12 November 2008

Very clever

"Very clever you are, Mark!"

That's an actual quote from an actual person about my very clever FIFTY.  (See below.  Or read this.)

Then that pesky Charles Ardai sends his book to me, FIFTY-to-ONE.

It has fifty chapters.

Each bearing the name of the first 50 books in the Hard Case Crime series.

It is set fifty years in the past.

It has an insert--wait for it--all 50 lovely covers (with checklist)!

Very clever, Mr. Ardai.

28 October 2008

Muzzled

The first place I ever published a story--if you count "posting on a web site" as publishing--is no more. DZ Allen's Muzzle Flash is kaput. I remember coming across MF and reading the stories and thinking "people like this stuff?" I felt like I had those kind of stories already in my head. MF inspired me to put pen to paper. Well, finger to keyboard at least. I sent Mr. Allen a note yesterday thanking him for that inspiration. From Muzzle Flash to OOTG to . . . ? Lots of fine authors had their stuff on the Flash. Clair Dickson's Bo Fexler, PI series made me realize that the recurring character was not dead. In mainstream mystery fiction, the recurring character is de riguer, but in noir, it seemed a dated notion. Bo and MF disabused me of that idea. Matt Cadd was the result! The creative process is a funny thing. It needs nurturing. I know my own limitations, and they have to be overcome by persistence and effort. But that elusive "spark" that touches the tinder is often an accident, a random event that provides the necessary inspiration to go along with the perspiration. Here's to MF and all its troupers for helping me along.

01 September 2008

Didn't make the cut

My story did not get picked for OOTG5. I have been fortuntate working with that magazine and editor Matt Louis. I've had two stories published ("Tweaker" in OOTG2 and "Lonnie's Ride" in OOTG4). This time my stuff did not make the grade. I'm a big boy. Time to get to work on new stuff. Looking forward to reading OOTG5--always inspiring.

My Blogger experience this weekend has been terrible. I cannot use my wysiwyg editor! And I cannot see my entire blog page in layout mode, nor work on all the components! Something is wrong, I hope Blogger gets it together. Otherwise I'll have to do something. The whole reason I use Blogger is that it requires very little from me but input. The software and my interface has always been easy and fairly seamless. We'll see. In the meantime I'd best do some net-crawling and see if I learn anything.

16 August 2008

Pen >> Sword

I put together a new piece for Out of the Gutter. Seems they want to put out a fifth issue, and they are having a contest. My new story is only 1000 words, and it is my weirdest and sickest yet. I took some chances with the tone and style, we'll see if it works. It is called "The Principle Thing." I'll find out if they like it by the 1st of September. Wish me luck.

29 July 2008

The Postman Always Seems Nice



They're here! Limited edition. FIFTY copies.
You want one. Call TEN POUND PRESS to-day!
(Operators are standing by.)
No charge. Just postage.
Send me a buck, I'll send you a book.
Hell, an e-mail will do. A plaintive whine. A simple request.
Name your price.
Come in today, we got herds o'Winnebagoes, we're givin' 'em away!!



21 July 2008

Hot off the presses!

FIFTY, my collection of all 50 Matt Cadd mini-sagas, is now being assembled here at Ten Pound Press. Distribution will begin this week, so check your mailboxes, there will be a few "early birds" for special customers. Most won't get out until the following week. Stay tuned for updates, mates.

18 June 2008

Wuh-HAWK-uh

Friday we go a-southing. We hit "the Five" as they say in SoCal, and after a few stops and visits along the way we fly to Mexico. Our ultimate destination, after some timely R & R in Baja, is the high city of OAXACA. Ten Pound Press will be on holiday until the middle of July. I am looking forward to being "disconnected" for a few weeks. Not that I can't get the all-consuming "access." Mexico is a modern country, after all. But I want to spend time with my eyes and ears, using pencil and paper, on happy feet with an open heart. No more "monitor tans." I'm going to get the real thing, or at least the pink version my Irish blood limits me to.

Tomorrow I'll post the LAST Matt Cadd mini-saga: number fifty! Then "adios" to all my loyal readers. Check back later--I will return.

¡Adios!

07 June 2008

"Pulpy gobbets fanned out from the wound . . . "

Yeah. That's yer man, there.

More raves for Out of the Gutter 4, this time from UT Austin. We made the newspaper, The Daily Texan, in the Life & Arts section from June the 5th. Dylan Miracle's piece is Indie journal gets its readers' minds 'Out of the Gutter' and my story gets a plug. M.C. gets quoted!

I can't get Navin R. Johnson, Steve Martin's Jerk, out of my head. You know the scene--delirious joy when "the new phone book's here," declaring "this is the kind of spontaneous publicity - your name in print - that makes people. I'm in print! Things are going to start happening to me now."

Summer vacation is finally here. TPP will be cooking for the next two weeks and then go on 'holiday hiatus' until mid-July. We are southbound this year: Mexico. I'm not bringing a phone or a computer, and will avoid contact with both. Going to put the pencil to paper for the duration of the journey. We'll see what comes out.

13 May 2008

blog, n.

a vehicle for self-promotion.

also v., to engage in self-promotion.

12 May 2008

Talkin' Baseball

One of my favorite blogs is by a fellow named John Perricone called ONLY BASEBALL MATTERS. Recently he challenged his "backtalkers" to write a piece about Peter Magowan's legacy as the owner of the San Francisco Giants. Mr. Perricone said he would pick the best ones to "front page" and guess who got picked? ME! That's right, kids, yer old pal M.C. Check it out.

07 May 2008

Ain't It Cool?

There's an outfit called AICN or Ain't It Cool News. They reviewed OOTG4. Spread the meme.

22 April 2008

TPP: Web Publisher!

That's right, folks, I'm a WEB PUBLISHER. I thought I was just a dinky blogger in the vast sea of bloggers, but the ENCYCLOPEDIA BRITANNICA thinks I'm a "web publisher" and they granted me a one-year FREE subscription to their on-line site. I am something, ain't I? You can be something, too. Check it out here. (T'anks to TECHNORATI.)

14 April 2008

Reading Material To Get Excited About

That's right, you'll find it at BOOKGASM! And it seems that "yer man" M.C. is one of those exciting guys: check out the review of Out of the Gutter #4. Ah hell, you might not, so I'll quote:

Moving into the longer stories, M.C. O’Connor helps get things going with “Lonnie’s Ride,” with the attention-grabbing first line “Carleton looked like the Thalidomide spawn of an elephant seal.” It’s the tale of a Lonnie, a young man who steals a bunch of drugs from Carleton and skips town, catching a ride with a trucker who keeps propositioning him sexually and then claiming “just kidding” when Lonnie freaks out. You can only pull that so many times. (emphasis mine)

My first "review." Pretty cool, eh? If you have not purchased your copy of Out of the Gutter #4 yet, this is your chance. After all, you want to have more Bookgasms, don't you?



03 April 2008

OOTG 4

It is always exciting to see a literary startup, especially an independent one. It is even more exciting to PARTICIPATE in such an endeavor. Out of the Gutter 4 arrived in the mail yesterday, and my story "Lonnie's Ride" is on page 38. The issue looks great and I expect I'll devour it this weekend. Kudos to Matt Louis and his gang for the great work. The Justin C. Gordon art is terrific--I really like the illustration he did for my story. TPP readers: BUY A FOOKIN' COPY!!!! Just about everything we consume is some highly-packaged over-processed corporate crap. This isn't. This is blue-collar, authentic, original work by independent free-thinkers. Vote with your dollars. Support a REAL AMERICAN EFFORT!